Thea von Harbou

Author - Germany
Born December 27, 1888 in Berlin
Died July 2, 1954 in Berlin

Mini-Biography:
Thea von Harbou was born on December 27, 1888 in Berlin. She was a German Author, known for Zur Chronik von Grieshuus (1924), Asszony a válaszúton (1938), Hurra, ich bin Papa (1939), Thea von Harbou's first movie on record is from 1920. Thea von Harbou died on July 2, 1954 in Berlin. Her last motion picture on file dates from 1959.

Thea von Harbou Filmography [Auszug]
1959: [03.05] Das Indische Grabmal (Journey to the lost city) (Based on : roman), Directed by Fritz Lang, with Paul Hubschmid, Debra Paget, Walther Reyer,
1958: [01.22] Der Tiger von Eschnapur (The Tiger of Eschnapur, Journey to the lost city, Tiger of Bengal, Fritz Lang's The Tiger of Eschnapur) (Based on : novel), Directed by Fritz Lang, with Debra Paget, Paul Hubschmid, Walther Reyer,
1953: [11.13] Dein Herz ist meine Heimat (Tauerngold) (Scenario), Directed by Richard Häussler, with Inge Egger, Heinrich Gretler, ,
1951: [03.23] Dr. Holl - Die Geschichte einer grossen Liebe (Scenario), Directed by Rolf Hansen, with Dieter Borsche, Otto Gebühr, Heidemarie Hatheyer,
1950: [10.17] Es kommt ein Tag (Scenario), Directed by Rudolf Jugert, with Dieter Borsche, Lil Dagover, Herbert Hübner,
1945: [10.29] Erzieherin gesucht (Scenario), Directed by Ulrich Erfurth, with Olly Holzmann, Ernst von Klipstein, Wolfgang Lukschy,
1944: [] Via Mala (Scenario), Directed by Josef von Baky, with ,
1943: [04.28] Eine Frau für drei Tage (Scenario), Directed by Fritz Kirchhoff, with Hannelore Schroth,
1943: [/ /1] Die Gattin (Scenario), Directed by Georg Jacoby, with Willy Fritsch, Jenny Jugo, ,
1942: [03.22] Die Gefährtin meines Sommers (Scenario), Directed by Fritz Peter Buch, with Hella Tornegg, Anna Dammann, Margarete Haagen,
1942: [10.30] Mit den Augen einer Frau (Scenario), Directed by Karl Georg Külb, with Käthe Alving, Paul Bildt, Elga Brink,
1941: [09.09] Annelie, die Geschichte eines Lebens (Scenario), Directed by Josef von Baky, with Hansi Arnstaedt, Roma Bahn, Karl Ludwig Diehl,
1941: [02.11] Am Abend auf der Heide (Scenario), Directed by Jürgen von Alten, with Heinz Engelmann, Günther Lüders, Magda Schneider,
1940: [08.29] Wie konntest du, Veronika! (Scenario), Directed by Milo Harbich, with Wolf Albach-Retty, Gusti Huber, Erich Ponto,
1940: [02.16] Lauter Liebe (Vivi con il tuo amore) (Scenario), Directed by Heinz Rühmann, with Helmut Weiss, Willy Domgraf-Fassbender, Josefine Dora,
1939: [11.16] Hurra, ich bin Papa (Papà cerca moglie) (Scenario), Directed by Kurt Hoffmann, with Albert Florath, Bruno Fritz, Ursula Grabley,
1938: [08.14] Verwehte Spuren (Scenario), Directed by Veit Harlan, with Heinz Appel, Valy Arnheim, Paul Bildt,
1938: [12.04] Jugend (Scenario), Directed by Veit Harlan, with Ernst Behmer, Hermann Braun, Elisabeth Flickenschildt,
1938: [08.26] Asszony a válaszúton (Scenario), Directed by Josef von Baky, with Ewald Balser, Magda Schneider, Ernst Waldow,
1938: [01.28] Das Indische Grabmal (Based on : novel), Directed by Richard Eichberg, with Frits van Dongen, Kitty Jantzen, La Jana,
1938: [01.07] Der Tiger von Eschnapur (Based on : novel), Directed by Richard Eichberg, with Frits van Dongen, La Jana, Alexander Golling,
1938: [08.26] Die Frau am Scheidewege (Scenario), Directed by Josef von Baky, with Ewald Balser, Magda Schneider, Karin Hardt,
1937: [10/19] Der zerbrochene Krug (Scenario), Directed by Gustav Ucicky, with Lina Carstens, Paul Dahlke, Erich Dunskus,
1937: [08.20] Versprich mir nichts (Scenario), Directed by Carl Hoffmann, Wolfgang Liebeneiner,
1937: [] Solo per Te (Scenario), Directed by Carmine Gallone, with Michael Bohnen, Peter Bosse, Maria Cebotari,
1936: [03.17] Der Herrscher (The Ruler) (Scenario), Directed by Veit Harlan, with Emil Jannings, Paul Bildt, Peter Elsholtz,
1936: [10.26] Eine Frau ohne Bedeutung (Scenario), Directed by Hans Steinhoff, with Käthe Dorsch, Gustaf Gründgens, Käte Haack,
1936: [09/01] Seine offizielle Frau (Scenario: Drehbuch-Bearbeitung), Directed by Erich Waschneck, with Renate Müller, Georg Alexander, Grethe Weiser,
1935: [04.03] Eine unmögliche Frau (Madame will nicht heiraten) (Scenario), Directed by Johannes Meyer, with Willi Rose,
1935: [10.30] Mann mit der Pranke (Scenario), Directed by Rudolf van der Noss, with Ernst Legal, Paul Wegener, Grethe Weiser,
1935: [10.17] Ich war Jack Mortimer (Scenario), Directed by Carl Froelich, with Marieluise Claudius, Hugo Drahower, Sophie Eschenbach,
1935: [09.06] Ein Idealer Gatte (Scenario), Directed by Herbert Selpin, with Georg Alexander, Karl Dannemann, Karl Ludwig Diehl,
1934: [01.29] Der alte und der junge König (The old and the young king) (Scenario), Directed by Hans Steinhoff, with Georg Alexander, Marieluise Claudius, Claus Clausen,
1934: [11.30] Prinzessin Turandot (Scenario), Directed by Gerhard Lamprecht, Serge Veber, with Leopoldine Konstantin, Rudolf Biebrach,
1934: [08.24] Was bin ich ohne Dich (Scenario), Directed by Arthur Maria Rabenalt, with Lissy Arna, Erna Morena,
1934: [03.13] Hanneles Himmelfahrt (Director), with Else Ehser, Ilse Fürstenberg, Käte Haack,
1933: [01.24] Elisabeth und der Narr (Elisabeth, die weisse Schwester von St. Veith (Working title)) (Director), with Fritz Alberti, Gerhard Dammann, Else Ehser,
1933: [05.12] Das Testament des Dr. Mabuse (The testament of Dr. Mabuse) (Scenario), Directed by Fritz Lang, René Sti, with Lil Dagover, Heinrich Gotho, Heinrich Gretler,
1932: [02.24] Der Läufer von Marathon (Scenario), Directed by E.A. Dupont, with Hans Brausewetter, Victor De Kowa, Ursula Grabley,
1932: [10.20] Das erste Recht des Kindes (Scenario), Directed by Fritz Wendhausen, with Fritz Alberti, Erich Bartels, Gerhard Bienert,
1931: [05.11] M (Scenario), Directed by Fritz Lang, with Peter Lorre, Gustaf Gründgens, Rose Liechtenstein,
1929: [10.15] Die Frau im Mond (By Rocket to the Moon) (Scenario), Directed by Fritz Lang, with Gerda Maurus, Willy Fritsch, Klaus Pohl,
1928: [03.22] Spione (Spies) (Scenario), Directed by Fritz Lang, with Grete Berger, Sherry Craighall, Lien Deyers,
1926: [01.10] Metropolis (Scenario), Directed by Fritz Lang, with Brigitte Helm, Rudolf Klein-Rogge, Alfred Abel,
1925: [11.16] Varieté (Scenario), Directed by E.A. Dupont, with Emil Jannings, Maly Delschaft, Lya de Putti,
1924: [02.11] Zur Chronik von Grieshuus (Scenario), Directed by Arthur von Gerlach, with Lil Dagover, Rudolf Forster, Paul Hartmann,
1924: [09.26] Mikaël (Chained: the Story of the Third Sex, Heart's Desire) (Scenario), Directed by Carl Theodor Dreyer, with Walter Slezak, Max Auzinger, Nora Gregor,
1924: [] Die Nibelungen I - Siegfrieds Tod (Scenario), Directed by Fritz Lang, with Bernhard Goetzke, Ernst Legal, Theodor Loos,
1924: [] Die Nibelungen II - Kriemhilds Rache (Kriemhild's Revenge) (Scenario), Directed by Fritz Lang, with Margarete Schön, Rudolf Klein-Rogge, Theodor Loos,
1923: [07.01] Die Finanzen des Grossherzogs (Finances of the Grand Duke, The Grand Duke's Finances) (Scenario), Directed by Friedrich Wilhelm Murnau, with Alfred Abel, Mady Christians, Adolphe Engers,
1923: [10/23] Die Austreibung (The Expulsion) (Scenario), Directed by Friedrich Wilhelm Murnau, Rochus Gliese, with Wilhelm Dieterle, Carl Goetz, Ilka Grüning,
1923: [01.23] Der steinerne Reiter (Based on ), Directed by Fritz Wendhausen, with Erika von Thellmann, Rudolf Klein-Rogge, Fritz Kampers,
1922: [04/12] Die Prinzessin Suwarin (Scenario), Directed by Johannes Guter, with Grete Berger, Lil Dagover, Xenia Desni,
1922: [04.27] Dr. Mabuse der Spieler - Spieler aus Leidenschaft (Dr. Mabuse, der Spieler (Teil 1), Dr. Mabuse, the gambler (Part 1), The Great Gambler, A picture of our time) (Scenario), Directed by Fritz Lang, with Julietta Brandt, Alfred Abel, Max Adalbert,
1922: [10.29] Phantom (Scenario), Directed by Friedrich Wilhelm Murnau, with Alfred Abel, Grete Berger, Herman Bing,
1922: [] Dr. Mabuse der Spieler - Inferno des Verbrechens (Dr. Mabuse, der Spieler (Teil 2), Dr. Mabuse, the Gambler (Part 2)) (Scenario), Directed by Fritz Lang, with Alfred Abel, Max Adalbert, Anita Berber,
1922: [03.03] Der brennende Acker (Scenario), Directed by Rochus Gliese, Friedrich Wilhelm Murnau, with Magnus Stifter, Alfred Abel, Stella Arbenina,
1921: [] Das Indische Grabmal: Die Sendung des Yoghi (Scenario), Directed by Joe May, with Olaf Fønss, Mia May, Conrad Veidt,
1921: [11.17] Der Tiger von Eschnapur (Scenario), Directed by Joe May, with Olaf Fønss, Mia May, Conrad Veidt,
1921: [10/22] Die Sendung des Yoghi (Scenario), Directed by Joe May, with Olaf Fønss, Mia May, Conrad Veidt,
1921: [10.06] Der müde Tod (Destiny) (Scenario), Directed by Fritz Lang, with Bernhard Goetzke, Lil Dagover, Max Adalbert,
1921: [] Das Indische Grabmal: Der Tiger von Eschnapur (Scenario), Directed by Joe May, with Olaf Fønss, Mia May, Conrad Veidt,
1921: [05.23] Das Haus des Dr. Gaudeamus (Haus ohne Tür und Fenster) (Story: Haus ohne Tür und Fenster (R)), Directed by Friedrich Feher, with Lili Breda, Karl Ehmann, Friedrich Feher,
1921: [03/11] Der Leidensweg der Inge Kraft (Based on ), Directed by Robert Dinesen, with Mia May, Albert Steinrück, Conrad Veidt,
1921: [01.21] Die Frauen von Gnadenstein (Scenario), Directed by Robert Dinesen, Joe May, with Grete Diercks, Olga Engl, Leopold Gadiel,
1920: [02.03] Vier um die Frau (Scenario), Directed by Fritz Lang, with Carola Toelle, Hermann Böttcher, Ludwig Hartau,
1920: [12.25] Das wandernde Bild (Scenario), Directed by Fritz Lang, with Mia May, Hans Marr, Rudolf Klein-Rogge,
1920: [09.17] Die Legende von der heiligen Simplicia (Scenario), Directed by Joe May, with Eva May, Alfred Gerasch, Georg John,

. 7 . 8 . 12 . 13 . 19 . 23 . 24 . 26 . 27 . 30 . 49 . 70 . 71

Filmography Thea von Harbou nach Kategorien

Regie Drehbuch Vorlage Story

Thea von Harbou in other Database records:

Disclaimer
The information above does not purport to be exhaustive, but give the level of information to our database at the time of last update. All figures are best knowledge and belief researched to, legal claims arising from incorrect or missing information are expressly rejected.
Due to the current law in some countries can be held responsible person who addresses refers to having a criminal content spread may or criminal content and pages further refer, unless he closes clear from such liability. Our links below are researched to the best of my knowledge and belief, but we can not accept in any way for the content of these web pages and links from us any liability. We provide this explanation by analogy from all countries and all languages of. Quotations, if not otherwise marked, in the usual right to quote with identification of the sources added.
The copyright lies with the authors of these quotes - Thea von Harbou - KinoTV