Mini-Biography:
The day of birth of Clyde Cook is not on record. He was born in Brockwayville, Pennsylvania, USA. He was an American Operatőr, known for Humdrum Brown (1918), Broadway Arizona (1917), Mutiny (1917), Clyde Cook's first movie on record is from 1916. Clyde Cook died on an unknown date. His last motion picture on file dates from 1922.
Zivotopisné poznámky (v němčině): Clyde Cok, cameraman for the Lynn Reynolds Bluebird Company, was born at Brockwayville, Pa. After serving an apprenticeship to his father, an artist and photographer, working with all kinds of cameras, he took up motion picture photography.
He first served with the Western Lubin Company eight months, with the Albuquerque for almost two years, was cameraman for the Bosworth Universal Company for several pictures; made Rolin Pathe comedies, served as cameraman for the Henry McRae Company, and has photographed the last three Lynn Reynolds Bluebird features including "The Gir! of Lost Lake," and "The Romance of Billy Goat Hill."
Mr. Cook is thoroughly conversant with all departments of photography, and is capable of from the magazine to the screen without assistance.
(Motion Picture Studio Directory 1916, October 21, pg 231)
Clyde Cook Filmografie [Auszug]
1922: [09.02] Bow Wow (Kamera),
1920: [12.00] The Deceiver (Kamera),
1920: [10.00] The Man Who Had Everything (Kamera),
1920: [09.00] The Golden Trail (Kamera),
1920: [06.00] A Double-Dyed Deceiver (Kamera),
1919: [06.01] All Wrong (Kamera), Režie Raymond B. West, William Worthington, with Bryant Washburn, Mildred Davis, Charles Bennett,
1918: [12.29] Wife or Country (Kamera: (AKA Clyde R. Cook) ), Režie E. Mason Hopper, with Harry Mestayer, Gretchen Lederer, Gloria Swanson,
1918: [12.01] Love's Pay Day (Kamera), Režie E. Mason Hopper, with Rosemary Theby, Pete Morrison, William Dale,
1918: [03.15] Humdrum Brown (Kamera), Režie Rex Ingram, with Henry B. Walthall, Mary Charleson, Joseph J. Dowling,
1917: [11.04] Up or Down? (Kamera: (AKA Clyde R. Cook) ), Režie Lynn Reynolds, with George Hernandez, , John Gilbert,
1917: [09.30] Broadway Arizona (Kamera: (AKA Clyde R. Cook)), Režie Lynn Reynolds, with Olive Thomas, George Chesebro, George Hernandez,
1917: [08.20] Mr. Opp (Kamera: (AKA Clyde R. Cook)), Režie Lynn Reynolds, with Arthur Hoyt, George Chesebro, George Hernandez,
1917: [08.13] The Show Down (Kamera: (AKA Clyde R. Cook)), Režie Lynn Reynolds, with Myrtle Gonzalez, George Hernandez, Arthur Hoyt,
1917: [07.16] The Greater Law (Kamera: (AKA Clyde R. Cook)), Režie Lynn Reynolds, with Myrtle Gonzalez, Gretchen Lederer, Maude Emory,
1917: [05.28] Southern Justice (Kamera), Režie Lynn Reynolds, with Myrtle Gonzalez, George Hernandez, Jack Curtis,
1917: [03.12] Mutiny (Kamera), Režie Lynn Reynolds, with Myrtle Gonzalez, Jack Curtis, George Hernandez,
1917: [01.22] God's Crucible (Kamera: (AKA Clyde R. Cook)), Režie Lynn Reynolds, with George Hernandez, Val Paul, Fred Montague,
1916: [10.30] The End of the Rainbow (Kamera: (AKA Clyde R. Cook)), Režie Jeanie Macpherson, Lynn Reynolds, with Myrtle Gonzalez, George Hernandez, Val Paul,
1916: [10.09] A Romance of Billy Goat Hill (Kamera: (AKA Clyde R. Cook)), Režie Lynn Reynolds, with Myrtle Gonzalez, Val Paul, George Hernandez,
1916: [08.28] The Girl of Lost Lake (Kamera: (AKA Clyde R. Cook)), Režie Lynn Reynolds, with Myrtle Gonzalez, Countess du Cello, Ruby Cox,
1916: [05.29] Into the Primitive (Kamera), Režie Thomas N. Heffron, with Kathlyn Williams, Guy Oliver, ,
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