Sascha Filmindustrie, Wien

Produktion - Austria
Borndate unknown

Mini-Biography:
The day of birth of Sascha Filmindustrie, Wien is not on record. an Austrian Produktion, known for Der junge Medardus (1923), Ein Alibi zerbricht (1963), Café Elektric (1927), Sascha Filmindustrie, Wien's first movie on record is from 1912. His last motion picture on file dates from 1985.
Biographical Notes in German: 1916 baut Sascha ein Atelier in Wien-Sievering; Zusammenschluss mit der deutschen Firma Messter zur --> Sascha-Messter-Gesellschaft. Kriegsdokumentarfilme und die Sascha-Messter Kriegswochenschau. 1918 scheidet Messter wieder aus, Umwandlung der Firma in die Sascha A.G.

Sascha Filmindustrie, Wien Filmography [Auszug]
1985: [/ /1] Echo Park (Production), Directed by Robert Dornhelm, with Michael Bowen, Timothy Carey, Susan Dey,
1976: [/ /1] Bomber und Paganini (Production), Directed by Nicos Perakis, with Mario Adorf, Tilo PrĂĽckner, Hannelore Schroth,
1976: [/ /1] Die Wildente (Production), Directed by Hans W. Geissendörfer, with Anne Bennent, Martin Flörchinger, Bruno Ganz,
1976: [/ /1] Grete Minde (Production), Directed by Heidi Genée, with Hannelore Elsner, Martin Flörchinger, Katerina Jacob,
1964: [/ /1] Und so was muss um acht ins Bett (Production), Directed by Werner Jacobs, with Peter Alexander, Lilo Bav, Peter Gerhard,
1963: [11.29] Ein Alibi zerbricht (An Alibi for Death) (Production), Directed by Alfred Vohrer, with Hannelore Elsner, Ruth Leuwerik, Charles Regnier,
1958: [] Hoch klingt der Radetzkymarsch (Production), Directed by Géza von Bolváry, with Boy Gobert, Walther Reyer, Johanna Matz,
1955: [] Kronprinz Rudolfs letzte Liebe (Production), Directed by Rudolf Jugert, with Lil Dagover, Erich Dörner, Karl Ehmann,
1955: [/ /1] Dunja (Her Crime was Love) (Production), Directed by Josef von Baky, with Eva Bartok, Karlheinz Böhm, Bruno Dallansky,
1949: [09.15] An klingenden Ufern (Production), Directed by Hans Unterkircher, with Adolf Ario, Rudolf Brix, Hugo Gottschlich,
1927: [/ /1] Café Elektric (Production), Directed by Gustav Ucicky, with Fritz Alberti, Anny Coty, Marlene Dietrich,
1926: [/ /1] Der goldene Schmetterling (Production), Directed by Michael Curtiz, with Nils Asther, Curt Bois, Lili Damita,
1926: [03.06] Fiaker Nr. 13 (Production), Directed by Michael Curtiz, with Paul Biensfeldt, Lili Damita, Wilhelm Dieterle,
1924: [10.16] Das Spielzeug von Paris (Production), Directed by Michael Curtiz, with , Lili Damita, ,
1924: [10.15] Die Sklavenkönigin (The Moon of Israel) (Production), Directed by Michael Curtiz, with Maria Corda, Adelqui Migliar, Arlette Marshall,
1924: [/ /1] Salammbo (Production), Directed by Pierre Marodon, with Henri Baudin, Jeanne de Balzac, Raphaël Liévin,
1923: [10.05] Der junge Medardus (Production), Directed by Michael Curtiz, with Franz Glawatsch, Maria Hegyesi, Anny Hornik,
1923: [/ /1] Kinder der Revolution (Production), Directed by Hans Theyer, with Oscar Beregi sr., Carl Heinz Fischer, Albert Kersten,
1923: [] Die Lawine (Production), Directed by Michael Curtiz, with Mary Kid, Lilly Marischka, Victor Varconi,
1922: [/ /1] Anna Landowska (Production), with Lili Breda,
1922: [/ /1] Seff in der Wasserheilanstalt (Production), with Josef Holub, ,
1922: [/ /1] Eine versunkene Welt (A sunken World) (Production), Directed by Alexander Korda, with Alberto Capozzi, Maria Corda, Max Devrient,
1922: [/ /1] Herren der Meere (Production), Directed by Alexander Korda, with Max Devrient, Karl Hartl, ,
1922: [] Sodom und Gomorrha (Production), Directed by Michael Curtiz, with Lucy Doraine, Georg Reimers, Walter Slezak,
1921: [12.29] Bräutigam auf Kredit (Production), Directed by Hans Steinhoff, with Hermann Thimig, Dora Kaiser, ,
1921: [10.07] Dorothys Bekenntnis (Mrs. Dane's Confession, Frau Dorothy's Confession) (Production), Directed by Michael Curtiz, with Lucy Doraine, Alphons Fryland, Otto Tressler,
1921: [09.06] Wege des Schreckens (Labyrinth of Horror) (Production), Directed by Michael Curtiz, with Lucy Doraine, Alphons Fryland, Max Devrient,
1921: [/ /1] Cherchez la femme oder Herzogin Satanella (Production), Directed by Michael Curtiz, with Lucy Doraine, Alphons Fryland, ,
1921: [/ /1] Mrs. Tutti Frutti (Production), Directed by Michael Curtiz, with Lucy Doraine, Alphons Fryland, Josef König,
1920: [11.19] Seine Majestät das Bettelkind (The Prince and the Pauper) (Production), Directed by Alexander Korda, with Tibor Lubinszky, Alfred Schreiber, Adolf Weisse,
1920: [/ /1] Die Gottesgeissel (Production), Directed by Michael Curtiz, with Lucy Doraine, Svetozar Petrov, ,
1919: [11.21] Die Dame mit dem schwarzen Handschuh (Production), Directed by Michael Curtiz, with Lucy Doraine, Harry Walden,
1919: [/ /1] Ein Gefährliches Spiel (Production), Directed by Robert Wiene, with Harry Walden,
1919: [05.23] Zwei Welten (Production: N° 12207), Directed by Conrad Wiene, with Harry Walden, Julius Strobl, Frieda Walden,
1919: [03.21] Die Spinne (Production), Directed by Conrad Wiene, with Magda Sonja, Robert Wiene,
1919: [01.31] Der Umweg zur Ehe (Production: N° 12169), Directed by Conrad Wiene, Robert Wiene, with Harry Walden, Ernst Arndt, Leonie Ley,
1918: [12.20] Am Tor des Lebens (Production), Directed by Conrad Wiene, with Harry Walden, Axel Plessen,
1918: [12.16] A NapraforgĂłs hölgy (The Lady With Sunflower) (Production), Directed by Michael Curtiz, with Erzsi B. Marton, Jenő Törzs, ,
1918: [12.06] Das Haus ohne Lachen (Production), Directed by Conrad Wiene, with Leopold Kramer, ,
1918: [11.22] Der Mandarin (The Mandarin) (Production: N° 12186), Directed by Fritz Freisler, with Carl Götz, Harry Walden, Gretel Ruth,
1918: [10.11] Don Juans letztes Abenteuer (Production), Directed by Heinz-Karl Heiland, with Magda Sonja, Louis Ralph, Ferdinand Bonn,
1918: [09.06] Das andere Ich (The Other Me) (Production), Directed by Fritz Freisler, with Raoul Aslan, Fritz Kortner, Magda Sonja,
1918: [08.23] Der letzte Erbe von Lassa (Production), Directed by Conrad Wiene, with Viktor Kutschera, Tilly Kutschera, Julius Strobl,
1917: [/ /1] Die zehnte Isonzoschlacht (Production),
1916: [] Die Verteidigung der Karpaten (The Defense of the Carpathians) (Production), Directed by N. N.,
1916: [] Bei den Tiroler Kriegsadlern im Winter (Production), Directed by N. N.,
1916: [] Das zerstörte Görz - Ein Opfer der ohnmächtigen Wut Italiens (The Destroyed Gorizia. A Victim of the Helpless Fury of Italy) (Production), Directed by N. N.,
1915: [] Fräulein Wildleders Liebesroman (Production), Directed by N. N.,
1915: [05.02] Zwei Freunde (Production), Directed by N. N., with Otto Tressler, Fern Andra, Hubert Marischka,
1915: [03.19] Das Satansweib (Production), Directed by N. N., with Ilka Pálmay, ,
1915: [03.05] Das erste Weib (Production), Directed by Hubert Marischka, with Hubert Marischka, Ludwig Herold, Eugen Jensen,
1914: [] Onkel Cocl als Ehestifter (Production), Directed by N. N., with ,
1914: [] Lugano am Luganosee (Production), Directed by N. N.,
1914: [04.17] Augustin in Todesängsten (Production: N° 50), Directed by N. N.,
1914: [03.20] Augustin auf Brautschau (Production: N° 19), Directed by N. N.,
1913: [11.28] Cocl als Hausherr (Production: N° 7), Directed by Rudolf Walter, Josef Zeitlinger, with ,
1913: [09.10] Der Millionenonkel (Production), Directed by Alexander Kolowrat, Hubert Marischka, with Leo Fall, Alexander Girardi, Alexander Kolowrat,
1913: [] Pampulik hat Hunger (Pampolet hat Hunger) (Production), Directed by Alexander Kolowrat, with Max Pallenberg, Fritzi Massary,
1913: [05.16] Cocls Hochzeitsreise (Production: N° 21), Directed by N. N., with ,
1913: [05.02] Cocl geht zum Maskenball (Production: N° 15), Directed by Josef Zeitlinger, with ,
1913: [02.07] Wie aus Cocl Asta Pilsen wurde (Production: N° 12), Directed by N. N., with ,
1912: [12.20] Cocl als Säugling (Production: N° 7), Directed by N. N., with ,
1912: [11.10] Onkel Cocl am Gänsehäufl (Production: N° 1), Directed by N. N., with ,
1912: [/ /1] Pampulik als Affe (Production), with Max Pallenberg,
1912: [/ /1] Pampulik kriegt ein Kind (Production), with Max Pallenberg,

. 51

Filmography Sascha Filmindustrie, Wien nach Kategorien

Produktion

Sascha Filmindustrie, Wien in other Database records: German Early Cinema

Disclaimer
The information above does not purport to be exhaustive, but give the level of information to our database at the time of last update. All figures are best knowledge and belief researched to, legal claims arising from incorrect or missing information are expressly rejected.
Due to the current law in some countries can be held responsible person who addresses refers to having a criminal content spread may or criminal content and pages further refer, unless he closes clear from such liability. Our links below are researched to the best of my knowledge and belief, but we can not accept in any way for the content of these web pages and links from us any liability. We provide this explanation by analogy from all countries and all languages of. Quotations, if not otherwise marked, in the usual right to quote with identification of the sources added.
The copyright lies with the authors of these quotes - Sascha Filmindustrie, Wien - KinoTV