Eugen Schüfftan

Director of Photography, Director - Germany
Born July 21, 1893 in Breslau
Died September 6, 1977 in New York City, New York, USA
Other names or known as : Eugène Shuftan,

Mini-Biography:
Eugen Schüfftan was born on July 21, 1893 in Breslau. He was a German Director of Photography, Director, known for Metropolis (1926), Quai des brûmes (1938), Abschied (1930), Eugen Schüfftan's first movie on record is from 1925. Eugen Schüfftan died on September 6, 1977 in New York City, New York, USA. His last motion picture on file dates from 1966.

Eugen Schüfftan Filmography [Auszug]
1966: [/ /1] Der Arzt stellt fest (Director of Photography), Directed by Aleksander Ford, with Lutz Altschul, Sabine Bethmann, Dieter Borsche,
1961: [] The Hustler (Director of Photography: (AKA Eugene Shuftan) ), Directed by Robert Rossen, with Paul Newman, Piper Laurie, Jackie Gleason,
1959: [/ /1] La tête contre les murs (Director of Photography), Directed by Georges Franju, with Pierre Brasseur, Paul Meurisse, Jean Pierre Mocky,
1958: [] La première nuit (Director of Photography), Directed by Georges Franju, with , ,
1954: [10.06] Ulisse (Ulysses, The Loves and Adventures of Ulysses) (Visual Effects), Directed by Mario Camerini, Mario Bava, with Kirk Douglas, Silvana Mangano, Rossana Podestà,
1953: [03.06] Le rideau cramoisi (The Crimson Curtain) (Director of Photography), Directed by Alexandre Astruc, with Anouk Aimée, Jean-Claude Pascal, ,
1952: [] Die Venus vom Tivoli (Director of Photography), Directed by Leonard Steckel, with Rudolf Bernhard, Walburga Gmür, Heinrich Gretler,
1943: [10.06] Hitler's Madman (Hitler's Hangman) (Director of Photography), Directed by Douglas Sirk, with Patricia Morison, John Carradine, Alan Curtis,
1943: [] Summer Storm (Director of Photography), Directed by Douglas Sirk, with George Sanders, Linda Darnell, Edward Everett Horton,
1940: [03.22] Sans lendemain (Director of Photography), Directed by Max Ophüls, with Paul Azaïs, Edwige Feuillère, Michel François,
1939: [01.05] De Mayerling à Sarajevo (De Mayerling à Sarajevo) (Director of Photography), Directed by Max Ophüls, with Jean Worms, Edy Debray, Francine Claudel,
1938: [11.17] Le Roman de Werther (Director of Photography), Directed by Max Ophüls, with , , Jean Galland,
1938: [09.23] Le drame de Shanghaï (The Shanghai Drama) (Director of Photography), Directed by Georg Wilhelm Pabst, with Christl Mardayn, Louis Jouvet, Raymond Rouleau,
1938: [/ /1] Quai des brûmes (Quai des brumes) (Director of Photography), Directed by Marcel Carné, with Aimos, Pierre Brasseur, Jean Gabin,
1937: [] Mollenard (Director of Photography), Directed by Robert Siodmak, with Harry Baur, Marcel Dalio, Gabrielle Dorziat,
1937: [] Forfaiture (Director of Photography), Directed by Marcel L'Herbier, with Victor Dancen, Lise Delamar, Sessue Hayakawa,
1937: [06.23] Yoshiwara (Director of Photography), Directed by Max Ophüls, with Camille Bert, Sessue Hayakawa, Lucienne Le Marchand,
1937: [04.09] Salonique, nid d'espions (Director of Photography), Directed by Georg Wilhelm Pabst, with Louis Jouvet, Dita Parlo, Viviane Romance,
1936: [12.11] La tendre ennemie (Director of Photography), Directed by Max Ophüls, with , Liliane Lesaffre, Roger Legris,
1935: [10.25] Komedie om Geld (Director of Photography), Directed by Max Ophüls, with Herman Bowber, Rini Otte, Cor Ruys,
1934: [02.03] Le scandale (Director of Photography), Directed by Marcel L'Herbier, with Gaby Morlay, Henri Rollan, Jean Galland,
1933: [09.18] Unsichtbare Gegner (Invisible Opponent) (Director of Photography), Directed by Rudolph Cartier, with Gerda Maurus, Paul Hartmann, Oskar Homolka,
1932: [09.06] Die Herrin von Atlantis (Director of Photography), Directed by Georg Wilhelm Pabst, with Brigitte Helm, , Heinz Klingenberg,
1932: [] L' Atlantide (The Mistress of Atlantis) (Director of Photography), Directed by Georg Wilhelm Pabst, with Jean Angelo, Odette Florelle, Brigitte Helm,
1932: [] Die Wasserteufel von Hieflau (Director), Directed by Erich Kober, with , Werner Scharf, Ernst Morgan,
1931: [04.02] Gassenhauer (Director of Photography), Directed by Lupu Pick, Martin Zickel, with Ina Albrecht, Albert Hörrmann, Werner Hollmann,
1931: [09.18] Meine Frau, die Hochstaplerin (Director of Photography), Directed by Kurt Gerron, Käthe von Nagy, with Käthe von Nagy, Heinz Rühmann, Fritz Grünbaum,
1931: [] Das Ekel (Director), Directed by Franz Wenzler, with Max Adalbert, Rosa Valetti, Evelyn Holt,
1930: [/ /1] Abschied (Director of Photography), Directed by Robert Siodmak, with Erwin Bootz, Gisela Draeger, Frank Günther,
1930: [/ /1] Das gestohlene Gesicht (Director of Photography), Directed by Philipp Lothar Mayring, Erich Schmidt, with , Julius E. Herrmann, Paul Henckels,
1930: [/ /1] Dann schon lieber Lebertran (Director of Photography), Directed by Max Ophüls, with Heinz Günsdorf, Käte Haack, Paul Kemp,
1929: [02.04] Menschen am Sonntag (Director of Photography), Directed by Robert Siodmak, Edgar G. Ulmer, with Brigitte Borchert, Christl Ehlers, Kurt Gerron,
1927: [03/04] Love me and the World is mine (The Affairs of Hannerl) (Visual Effects), Directed by E.A. Dupont, with Mary Philbin, Norman Kerry, Betty Compson,
1926: [01.10] Metropolis (Director of Photography), Directed by Fritz Lang, with Brigitte Helm, Rudolf Klein-Rogge, Alfred Abel,
1925: [11.16] Varieté (Visual Effects: trick photography), Directed by E.A. Dupont, with Emil Jannings, Maly Delschaft, Lya de Putti,

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Filmography Eugen Schüfftan nach Kategorien

Regie Kamera Optische Effekte

Eugen Schüfftan in other Database records: IMDb

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