Mini-Biography:
Norman Kerry was born on June 16, 1889 in Rochester, New York, USA. He was an American Herec, known for The Hunchback of Notre Dame (1923), The Phantom of the Opera (1925), Love me and the World is mine (1927), Norman Kerry's first movie on record is from 1916. Norman Kerry died on Januar 12, 1956 in Los Angeles, California, USA. His last motion picture on file dates from 1937.
FilmografieFilmografie [Auszug]
1937: Phantom of Santa Fe (Herci: Miguel ), Režie Jacques Jaccard, with Nina Quartero, Frank Mayo,
1928: The Woman from Moscow (Herci: Loris Ipanoff), Režie Ludwig Berger, with Pola Negri, Lawrence Grant,
1928: Woman in White (Herci), Režie Herbert Wilcox, with Louise Prussing, Blanche Sweet,
1927: Love me and the World is mine (Herci: Von Vigilatti), Režie E.A. Dupont, with Mary Philbin, Betty Compson,
1927: The Unknown (Herci: Malabar the Mighty, Circus Strongman), Režie Tod Browning, with Lon Chaney, Joan Crawford,
1927: Annie Laurie (Herci), Režie John S. Robertson, with Lillian Gish,
1926: Mademoiselle Modiste (Herci: Etienne ), Režie Robert Z. Leonard, with Corinne Griffith, Willard Louis,
1926: Under Western Skies (Herci: Robert Erskine), Režie Edward Sedgwick, with Anne Cornwall, Ward Crane,
1925: The Phantom of the Opera (Herci: Raoul de Chagny), Režie Rupert Julian, with Mary Philbin, Lon Chaney,
1925: Fifth Avenue Models (Herci: Francis Doran ), Režie Sven Gade, with Mary Philbin, Josef Swickard,
1924: So This Is Marriage? (Herci), Režie Hobart Henley, with Eleanor Boardman, Conrad Nagel, Lew Cody,
1924: True As Steel (Herci: Harry Boutelle ), Režie Rupert Hughes, with Aileen Pringle, Huntley Gordon, Cleo Madison,
1923: The Hunchback of Notre Dame (Herci), Režie Wallace Worsley, with Gladys Brockwell, Winifred Bryson, Lon Chaney,
1923: Merry-Go-round (Herci: Der Graf), Režie Erich von Stroheim, Rupert Julian, with Sidney Bracey, Dale Fuller, Cesare Gravina,
1922: The Man from Home (Herci: Prince Kinsillo), Režie George Fitzmaurice, with James Kirkwood, Anna Q. Nilsson, Geoffrey Kerr,
1922: Three Live Ghosts (Herci: Billy Foster), Režie George Fitzmaurice, Edmund Goulding, with Anna Q. Nilsson, Edmund Goulding,
1921: Little Italy (Herci: Antonio Tumullo), Režie George Terwilliger, with Alice Brady, George Fawcett,
1920: Passion's Playground (Herci: Prince Vanno Della Robbia ), Režie J.A. Barry, with Katherine MacDonald, Nell Craig,
1919: Soldiers of Fortune (Herci: Robert Clay), Režie Allan Dwan, with Wallace Beery, Ogden Crane,
1919: Getting Mary Married (Herci: James Winthrop, Jr.), Režie Allan Dwan, with Marion Davies, Matt Moore,
1919: Toton the Apache (Herci: David Lane), Režie Frank Borzage, with Olive Thomas, Francis McDonald,
1918: The Talk of the Town (Herci: ), Režie Allen Holubar, with Dorothy Phillips, George Fawcett, Clarissa Selwynne,
1918: Rose o' Paradise (Herci: Theodore King), Režie James Young, with Bessie Barriscale, Howard C. Hickman, David M. Hartford,
1918: Amarilly of Clothes-Line Alley (Herci: Gordon Phillips), Režie Marshall Neilan, with Mary Pickford, William Scott, Kate Price,
1917: The little princess (Herci: Capt. Richard Crewe ), Režie Marshall Neilan, with Mary Pickford, Katherine Griffith,
1917: The Little American (Herci: Wounded Soldier (/xx/) ), Režie Cecil B. DeMille, Joseph Levering, with Mary Pickford, Jack Holt, Raymond Hatton,
1917: Vanity (Herci: Crandell (AKA Norman Kaiser)), Režie John B. O'Brien, with Emmy Wehlen, Thomas O'Keefe, Edward Martindel,
1916: The Black Butterfly (Herci: Vladimir (AKA Norman Kaiser)), Režie Burton L. King, with Olga Petrova, Mahlon Hamilton, Tony Merlo,
1916: Manhattan Madness (Herci: (AKA Norman Kaiser)), Režie Allan Dwan, with Douglas Fairbanks, Jewel Carmen, George Beranger,