Günther Rittau

Günther Rittau

No Photo of Günther Rittau
Director, Director of Photography - Germany
Born August 6, 1893 in Königshütte
Died August 7, 1971 in München

Mini-Biography:
Günther Rittau was born on August 6, 1893 in Königshütte. He was a German Director, Director of Photography, known for Die Nibelungen I - Siegfrieds Tod (1924), Die Nibelungen II - Kriemhilds Rache (1924), Metropolis (1926), Günther Rittau's first movie on record is from 1921. Günther Rittau died on August 7, 1971 in München. His last motion picture on file dates from 1956.

FilmographyFilmography [Auszug]
1956: Die fröhliche Weihnacht (Director of Photography), Directed by Ferdinand Dörfler, with Thea Aichbichler, Maria Andergast, Paula Braend,
1956: Wenn wir alle Engel wären (Director of Photography), Directed by Günther Lüders, with Edith Hancke, Dieter Borsche, Marianne Koch,
1956: Das Erbe vom Pruggerhof (Director of Photography), Directed by Hans Heinz König, with Heinrich Gretler, Edith Mill, Armin Dahlen,
1955: Das Forsthaus in Tirol (Director of Photography), Directed by Hermann Kugelstadt, with Viktor Afritsch, Beppo Brem, Ingeborg Christiansen,
1955: Der Fischer vom Heiligensee (Director of Photography), Directed by Hans Heinz König, with Edith Mill, Albert Lieven, Lil Dagover,
1954: Das Kreuz am Jägersteig (Director of Photography), Directed by Hermann Kugelstadt, with Armin Dahlen, Gert Fröbe, Albert Hehn,
1954: Kinder, Mütter und ein General (Director of Photography), Directed by Laszlo Benedek, with Hilde Krahl, Ewald Balser, Therese Giehse,
1948: Vor uns liegt das Leben (Director), with Hermann Speelmans, , Michael Günther,
1945: Der Scheiterhaufen (Director), with Ullrich Haupt, Ewald Balser, Karin Himboldt,
1944: Eine alltägliche Geschichte (Director), with Gustav Fröhlich, Marianne Simson,
1944: Die Jahre vergehen (Director), with Käthe Dyckhoff,
1943: Meine vier Jungens (Director), with Hermann Speelmans,
1943: Der Ewige Klang (Director), with Ernst Wilhelm Borchert, Elfriede Datzig, O.E. Hasse,
1941: Der Strom (Director), with Wilhelm Borchert, Lotte Koch, Paul Henckels,
1940: U-Boote westwärts (Director), with Willi Rose, Ilse Werner, Wilhelm Borchert,
1939: Brand im Ozean (Director), with Louis Brody, Ferdinand Classen, René Deltgen,
1939: Der Vorhang fällt (Director of Photography), Directed by Georg Jacoby, with Franz Arzdorf, Walter Bechmann, Charly Berger,
1936: Waldwinter (Director of Photography), Directed by Fritz Peter Buch, with Ingeborg Hertel, Hansi Knoteck, ,
1935: Zigeunerbaron (Director of Photography), Directed by Karl Hartl, with Gina Falckenberg, Edwin Jürgensen, Fritz Kampers,
1934: Gold (Director of Photography), Directed by Karl Hartl, with Hans Albers, Ernst Behmer, Fita Benkhoff,
1932: F.P. 1 (Secrets of F.P. 1) (Director of Photography), Directed by Karl Hartl, with Conrad Veidt, Jill Esmond, Leslie Fenton,
1932: F.P. 1 antwortet nicht (Director of Photography), Directed by Karl Hartl, with Hans Albers, Sybille Schmitz, Paul Hartmann,
1932: Quick (Director of Photography), Directed by Robert Siodmak, with Hans Albers, Käte Haack, Lilian Harvey,
1932: Der Sieger (Director of Photography), Directed by Hans Hinrich, Paul Martin, with Hans Albers, Alfred Beierle, Hans Brausewetter,
1931: Stürme der Leidenschaft (Tempest) (Director of Photography), Directed by Robert Siodmak, with Emil Jannings, Anna Sten, Trude Hesterberg,
1931: Bomben auf Monte Carlo (Director of Photography), Directed by Hanns Schwarz, with Hans Albers, Anna Sten, Heinz Rühmann,
1930: Einbrecher (Director of Photography), Directed by Hanns Schwarz, with Willy Fritsch, Kurt Gerron, Lilian Harvey,
1930: Liebling der Götter (Director of Photography), Directed by Hanns Schwarz, with Max Gülstorff, Emil Jannings, Hans Moser,
1930: Der Kampf mit dem Drachen (Director of Photography), Directed by Robert Siodmak, with Felix Bressart, Hedwig Wangel,
1930: Der blaue Engel (The blue Angel) (Director of Photography), Directed by Josef von Sternberg, with Marlene Dietrich, Emil Jannings, Hans Albers,
1929: Asphalt (Director of Photography), Directed by Joe May, with Hans Albers, Betty Amann, Arthur Duarte,
1929: Melodie des Herzens (Vasárnap délután) (Director of Photography), Directed by Hanns Schwarz, with László Dezsöffy, Tomy Endrey, Willy Fritsch,
1929: Was ist los mit Nanette? (Director of Photography), Directed by Holger-Madsen, with Ruth Weyher, Georg Alexander, Harry Gondi,
1928: Heimkehr (Director of Photography), Directed by Joe May, with Gustav Fröhlich, Lars Hanson, Dita Parlo,
1928: Der Kampf des Donald Westhof (The Trial of Donald Westhof) (Director of Photography), Directed by Fritz Wendhausen, with Karin Evans, Paul Henckels, Oskar Homolka,
1927: Fürst oder Clown (Director of Photography), Directed by Aleksandr Rasumnyj, with Marcella Albani, Ralph Arthur Roberts,
1926: Metropolis (Director of Photography), Directed by Fritz Lang, with Brigitte Helm, Rudolf Klein-Rogge, Alfred Abel,
1925: Die Gefundene Braut (Director of Photography), Directed by Rochus Gliese, with Walter Slezak, Xenia Desni,
1925: Der Turm des Schweigens (Director of Photography), Directed by Johannes Guter, with Nigel Barrie, Fritz Delius, Xenia Desni,
1924: Die Nibelungen I - Siegfrieds Tod (Director of Photography), Directed by Fritz Lang, with Bernhard Goetzke, Ernst Legal, Theodor Loos,
1924: Die Nibelungen II - Kriemhilds Rache (Kriemhild's Revenge) (Director of Photography), Directed by Fritz Lang, with Margarete Schön, Rudolf Klein-Rogge, Theodor Loos,
1923: Der steinerne Reiter (Director of Photography), Directed by Fritz Wendhausen, with Erika von Thellmann, Rudolf Klein-Rogge, Fritz Kampers,
1921: Der Eisenbahnkönig (Director of Photography), Directed by Eugen Illés, with Fritz Kortner, Hermann Vallentin, Danny Gürtler,

Bibliography
Felix Bucher / Leonhard Gmür: Germany, London and New York 1970

Disclaimer
The information above does not purport to be exhaustive, but give the level of information to our database at the time of last update. All figures are best knowledge and belief researched to, legal claims arising from incorrect or missing information are expressly rejected.
Due to the current law in some countries can be held responsible person who addresses refers to having a criminal content spread may or criminal content and pages further refer, unless he closes clear from such liability. Our links below are researched to the best of my knowledge and belief, but we can not accept in any way for the content of these web pages and links from us any liability. We provide this explanation by analogy from all countries and all languages of. Quotations, if not otherwise marked, in the usual right to quote with identification of the sources added.
The copyright lies with the authors of these quotes - Günther Rittau - KinoTV
Günther Rittau - KinoTV updated Tue 05. Feb. 2019